Showing posts with label Irina Gogoberidze. Show all posts
Showing posts with label Irina Gogoberidze. Show all posts

Friday, July 21, 2017

CALL: Populism and Theatre

Shota Rustaveli State University of Theatre and Film. Photo: Giorgi Balakhadze
An international colloquium on "Theatre and Populism" has been announced for October 4–5, 2017, in Tbilisi, Georgia. This is an event sanctioned by the International Association of Theatre Critics (AICT-IATC) in association with the Tbilisi International Festival of Theatre, and Shota Rustaveli Tbilisi State University of Theatre and Film. Following is an excerpted English translation of the call for papers.
In modern history and, especially, in recent years "Populism" has become a commonly used term in politics and culture. Might we, therefore, deploy this term to describe political, cultural or everyday life? Is it useful as a descriptor for aesthetic, practical, or socio-political dimensions in our experience? Is there even a precise linguistic definition of the term?
For understanding Populism, researchers often refer to 19th century Russian and American populists, to Ancient Greeks, to the slogan of the French Revolution "Exprimer le peuple," to present-day politicians such as Le Pen, Trump, Erdogan, and to Brecht’s political theatre. According to Pierre Rosan Vallon, Populism is the ugliest answer to the dysfunctions of democracy.
With dissonant, contradictory definitions at the core of the phenomenon and with diverse means, possibilities, methods, and resources available for its implementation, we may trace one common feature: that populism functions only if it is targeted to a certain group, stratum, or community of people that can be defined and manipulated. Thus, Populism, like theatre, cannot exist without people, without audience.
The main topic of our 5th International Colloquium launched under the umbrella of the International Association of Theatre Critics and its Georgian Section is "Theatre and Populism." Topics of interest for papers include but are not limited to:
  • What are the traps of populism in contemporary theatre?
  • Populist cultural policy in theatre of different countries: Does it exist?
  • Audiences and Populism: Please or provoke the audience?
  • Populism as the tool for attracting the audience
  • Narration in performances – truth or lie?
  • Does populist playwriting or aesthetic aspects and clichés of a populist performance exist?
Participants are asked to forward abstracts (no longer than 200 words) in English to Ms. Lela Ochiauri, organizing committee member, teklataia@yahoo.com. The deadline is August 10, 2017. Invitations will be dispatched before August 20, 2017. A diversity of proposals from around the world are most welcome. Participants will have at their disposal technical equipment and support of Power Point and DVD presentations. Oral presentations should not exceed 15 minutes to allow time for discussion. The working languages of the colloquium are English and Georgian, with simultaneous translation.
Papers will be published in a special issue of Centaur by Tbilisi State University of Theatre and Film. The complete text of papers (up to 4,000 words in English or French) should be submitted for translation in electronic form no later than October 1, 2017.

Thursday, September 8, 2011

ARTS CRISIS: Georgian National Theatre

Georgian Director
Robert Sturua
Georgian theatre critic Irina Gogoberidze reports from Tbilisi that internationally renowned director Robert Sturua was dismissed from his position as artistic director of the country’s most important theatre, Shota Rustaveli National Theatre on August 9. In a letter to members of the International Association of Theatre Critics (AICT-IATC), Gogoberidze wrote that Sturua was fired for “xenophobic” statements that he has made in the past.

Gogoberidze notes in her letter, however, that the government’s “real reason behind this decision was political.” According to the Tbilisi University professor, “Georgia’s government was very displeased by Robert Sturua’s critical public statements, interviews and his performances.” Among the links below, readers will find a May 2011 news article from the Georgia Times in which Sturua refers to government officials as “half-morons.”

International artists have clamored for Sturua to be returned to his position with Vanessa Redgrave, Alan Rickman, and Thelma Holt writing in a letter published online August 28 by The Guardian (UK), “We have never seen any evidence of xenophobia on his part whatever. We cannot believe that this is the real basis of the decision, or that such a charge should be used as a pretext to remove from the Georgian theatre one of its universally acknowledged living treasures.” Georgia’s minister of culture and monument protection, Nikoloz Rurua, responded in a letter published September 6 by The Guardian:

I agree with the authors that Mr. Sturua has made a significant contribution to the arts in Georgia and beyond, but they may not be aware of his recent remarks. In various interviews, he made derogatory remarks about minorities and suggested it was unacceptable to have a member of an ethnic minority (specifically, Armenian) as president of our country. It is correct that nothing in Mr. Sturua’s work suggests xenophobia, but he has not retracted his comments.
In a commentary published online August 23 by Radio Free Europe/Radio Liberty, Ghia Nodia, a Georgian former minister of education and science—now a professor of politics at Ilia State University in Tbilisi—acknowledged that Sturua’s firing might “inevitably” appear as if “political scores were being settled” and that Sturua’s “xenophobic comments merely served as the pretext” for action because the director is “widely known to openly oppose the government.” Nodia also draws parallels to Western democracies where public figures who receive their salaries courtesy of the taxpayer “would not remain in office very long” after making similar comments.

Gogoberidze calls for international “friends and colleagues” who have seen Sturua’s work, which includes 19 plays from the Shakespearean canon and a well-regarded production of Brecht’s The Caucasian Chalk Circle, to offer “support . . . in the fight against political persecution of artists.”

The Executive Committee of the International Association of Theatre Critics is scheduled to have its fall meeting in Tbilisi during the Tbilisi International Festival of Theatre at the end of September and beginning of October. ATCA International will provide additional reports from the festival.

RELATED LINKS
International Protests at Director Sturua’s Dismissal Leave Georgian Authorities Unmoved (Report by Salome Modebadze on Georgian goverment reaction to international protests of Sturua’s dismissal, The Messenger [Georgia], 8 September 2011)

Rally in Support of Robert Sturua Takes Place in Tbilisi (Report on protest by Rustaveli Theatre company members of Georgian government’s actions against Sturua, Trend News Agency [Azerbaijan], 31 August 2011)

The Fall Of Robert Sturua Sets A New Standard In Georgian Public Life (Commentary by Ghia Nodia on the website for Radio Free Europe/Radio Liberty, 23 August 2011)

Director Robert Sturua: Georgia Is Ruled by Half-Morons (News article in Georgia Times, 25 May 2011)