Showing posts with label Savas Patsalidis. Show all posts
Showing posts with label Savas Patsalidis. Show all posts

Saturday, December 30, 2017

PUBLISHED: Critical Stages/Scènes Critiques New Issue


The IATC journal Critical Stages/Scènes Critiques has been published just in time for your new year reading. Editor-in-chief Savas Patsalidis announced publication December 29 with a Special Topic for Number 16 edited by renowned international artist and author Johannes Birringer on "Sound/Theatre: Sound in Performance."

Flesh Waves (phase #4), by Isabelle Choinière,
with dancers Laurie-Anne Langis, Édith Doucet,
Nadège St-Arnaud, Béatrice Trudel, Frédérique
Forget, 2013. Photo: Mateo H. Casis, Cie Loc & Mac

Sound designer Chris Wenn weighs in on "Acoustic Ecologies of Independent Theatre in Melbourne." Scholar and artist Gretchen Jude explores the "Sounding Body as Digital Assemblage."

Bill T. Jones and I-Ling Liu perform Story/Time. Photo by Paul B. Goode

Performance thinkers
from around the globe consider varied topics within editor Birringer's "ensounded" construct such as aural choreography, Bill T. Jones "repurposing" John Cage, soundscapes of "narco silence" in the border areas of the United States and Mexico, corporeality in choreography of new music, sonic energy and the body, and other intersections of sound and performance as the impact of design creates new ways of thinking about theatre and performance.


La Terquedad, a project on which writer and director
Rafael Spregelburd started working in 1996.

Also featured in this edition are national reports on theatre in Ireland, Hong Kong, Argentina, Serbia, GreeceAnglophone CanadaIsrael, and Chile. Performance review editor Matti Linnavuori of Finland has once again curated a lively selection on international perspectives from around the globe. Don Rubin of Canada offers his usual thoughtful collection of book reviews on performance topics.

Coming in February 2018, Critical Stages/Scènes Critiques will roll out the second installment of Number 16 featuring interviews, conference papers, and essays. Stay tuned for more and let us know how the journal might better provide news, reviews, essays, and special topics of interest to you.

Friday, June 26, 2015

REPORTS: An American in Sweden

Jay Handelman
THE INTERNATIONAL COMMITTEE of the American Theatre Critics Association was represented at the recent executive committee meeting of AICT-IATC last month by Foundation ATCA president Jay Handelman. Held this time in Malmö, Sweden, on the occasion of the biennial festival of the arts, executive committee meetings allow for lively exchanges of ideas related to the business of managing our various associations. When the delegates are not in meetings, they have the opportunity to sample local theatrical offerings and report back to our membership in the United States. As someone with numerous experiences in our international meetings, Handelman served as delegate for Jeffrey Eric Jenkins, chair of the International Committee and vice president of the International Association of Theatre Critics. The critic for the Sarasota Herald-Tribune, Handelman also reported on his theatergoing experience for his readers in Florida.

Margareta Sörenson
The Malmö meeting, chaired by AICT-IATC president Margareta Sörensen of Sweden, was devoted largely to discussions about future opportunities for international seminars for young critics and for established critics, the planned 2016 World Congress, and developments aimed at helping the AICT-IATC webjournal, Critical Stages, to sustain the growth it has experienced since its inception. Now overseen by its third editor, Savas Patsalidis of Greece, Critical Stages has embarked on a project of outreach and development aimed at larger readership and greater impact in cultural discourse.

[The minutes of the executive committee meeting are available in English here, and in French here.]

Jean-Pierre Han
Jean-Pierre Han, the director of seminars who represents France and serves as one of three vice presidents of AICT-IATC, reported that there have been numerous challenges in getting seminars to fruition--there were more than a half dozen proposed in Beijing--due to shifting budget priorities in potential host countries and the cost of travel for potential attendees. There are positive signs that a Young Critics' Seminar will be arranged in Bangkok, Thailand, at the end of October 2015, but there are no additional details. A call was sent by ATCA chairman Bill Hirschman to all American Theatre Critics Association members about an Established Critics event in Novi Sad, Serbia, set for September 2015. The application deadline was June 20. There is also a possibility of an Established Critics' Seminar in Buenos Aires, Argentina, late in 2015, though there is no further information as of this date.

Ivan Medenica
In Beijing last fall, Serbia proposed hosting the 2016 World Congress and leaders continue to discuss the possibility of making it work. According to Ivan Medenica, the representative from Serbia, the country's current financial outlook and upcoming elections may lead AICT-IATC to seek a different arrangement for 2016. Other possibilities are under consideration, including an alternative format for hosting a congress, which is currently under consideration by the leadership of the AICT-IATC executive committee.

Savas Patsalidis
The vision for Critical Stages continues to evolve under the leadership of editor Patsalidis, managing editor Don Rubin, and executive editor Jenkins. With overhead amounting to the equivalent of $10,000 USD, the publication now seeks donations and advertising from individuals and groups. Illinois Theatre has committed to advertising its programs of study on the site through 2016. An ongoing challenge to the journal are the archives of the first ten volumes, which have been rendered inaccessible due to changes in technology and technical personnel. Patsalidis offers a strong vision for the publication's continued improvement, which will ultimately reflect well on the organization.

Finally, the organization has created a logo contest that seeks submissions for a visual representation of the association that takes into account the contemporary dimensions of "live performance" as AICT-IATC engages with them. Submissions should be forwarded to Michel Vaïs, the secretary general of the association, by September 21, 2015.